Get a whole design team
for less than one hire

Marketing and product design for B2B and tech companies. That includes social media posts and grids, LinkedIn and display banners, posters and event graphics, pitch and outreach decks, iconography and illustration, and the design work that sits around a website or a product.

The useful way to think about it is by where the design has to work rather than by format. A LinkedIn banner, a conference poster and an in-app icon are three different problems, since one has to work for a feed, one has to be able to be read from across a room and one has to stay legible at 24 pixels.

The work spans whole launches when it needs to. For Luniate we produced LinkedIn banners, Instagram grids, an outreach deck and the website design alongside their rebrand, and for Sharpish we covered web, app and brand design.

Yes, and that's the normal case. Most of our design clients already have brand rules, and our job is to produce inside them so the output looks like your company rather than like our studio.

Send whatever you have, meaning a brand book, a Figma library, or just your logo files, fonts and color values. If your guidelines are thin in places, which is common once you start producing at volume, we'll flag the gaps and suggest something consistent with what already exists rather than inventing a new direction.

Sometimes clients do come to us for the identity itself. Luniate is one, where the rebrand included a new logo and brand guidelines as the company repositioned toward finance AI, and Dove Hero is another. That's a separate conversation from day-to-day design production, so say which one you need.

Yes, and it's the main reason our design clients work with us rather than a design-only studio. We're a video production studio, so the same team that makes your explainer can make the banners, the thumbnails and the social posts that go around it.

That matters because a campaign usually needs both. A launch means a video, the ad creative, the landing page graphics, the social grid and the deck, and splitting those across two suppliers is where brand consistency quietly breaks.

Luniate is the clearest example. The same engagement produced the rebrand, an explainer video, the marketing collateral and the website, which is why it held together across a five-month launch while the positioning was still moving.

A graphic design subscription is a monthly plan that gives you an ongoing design team instead of quoting each piece of work separately. You send requests, they get worked through in a queue, and you review and iterate until each one is right.

Ours works on a dedicated team rather than a ticket pool, so the people doing your work learn your brand instead of meeting it fresh each time. Requests come in through a shared channel, we work on an agreed number at a time, and finished work comes back for review with revisions included. You can queue as many requests as you like, and the limit is how many run concurrently rather than how many you submit.

What you can ask for is broad, covering social assets, banners, decks, posters, icons, illustration and design work for web and product. Our guide to how an unlimited design subscription works covers the model in more detail, including where it suits a team and where it doesn't.

You can submit unlimited requests, and they're delivered in order rather than all at once. Any provider telling you otherwise is describing a queue without using the word.

That's not a catch, it's how the model works. A team can only produce so much in a month, so "unlimited" means unlimited requests against a fixed throughput. The number that actually matters when you compare providers is how many requests run at the same time and how fast each one turns around, not the word unlimited.

It's worth checking what counts as one request. A single social post and a twelve-slide deck are both "a request" at some providers, which is where the model stops being good value.

It depends on how much design you need and how steady it is. A subscription is worth it when you need design most weeks, you're tired of briefing a new freelancer each time, and you don't have enough work to justify a full-time hire.

A freelancer is cheaper for occasional work and fine when you only need a few pieces a quarter, with the trade-off that you're relying on one person's availability. An in-house designer makes sense once you have enough work to fill the role, though you're then paying salary, software and benefits whether or not the pipeline is full that month, and one designer rarely covers illustration, layout, motion and web equally well.

A subscription sits between them, giving you a team's range at a predictable monthly cost. We compared hiring a designer with using a design subscription in more detail, including which situations genuinely favor the hire.

Our subscription starts at $3,680 a month, and creative credits are the other way to buy, letting you commit a pool upfront and spend it across design, video and animation as the work comes up. We don't sell graphic design as a one-off fixed-price project.

What a real engagement costs depends on volume and how much of it is complex. Luniate's five-month launch came to $32,000 across the rebrand, the explainer video, the marketing collateral and the website, which is at the larger end because it covered a full repositioning rather than ongoing production.

There's no long contract to sign before you start. Tell us what you need designed each month and what you have to spend, and we'll tell you which of the two models costs you less.

Most single assets come back within a couple of business days, and larger pieces like a deck or a full social set take longer. The queue position matters as much as the complexity, so a request behind three others starts when those finish.

If something is tied to a launch or an event date, say so when you submit it and we'll move it up rather than running it in order. Teams that plan a week ahead get noticeably more out of the model than teams that submit everything on the day it's due.

Revisions are part of the cycle rather than a separate stage, so build a review round into your own deadline rather than treating first delivery as final.

Yes. You get full commercial rights and the editable source files, so your team or another studio can pick the work up later.

That matters more for design than for video, because design assets get adapted constantly. A banner gets resized for a new placement, a deck gets updated every quarter, and a social template gets reused weekly, all of which need the layered file rather than a flat export.

Fonts and stock imagery are the exception worth knowing about. Those are licensed rather than owned, so we'll tell you what's licensed and under what terms before it ships.

Judge them on four things, which are what counts as a request, how many run at once, whether you get the same team each month, and what you own at the end. Everything else is marketing.

Then check the range against what you actually need. Plenty of design subscription services are strong on social graphics and weak the moment you need illustration, a product interface or anything that moves. If your work spans more than flat assets, a provider with a narrow range will send you looking for a second supplier within a quarter.

Ask for work in your sector rather than a general portfolio, and ask who does it, since the team on the sales call is often not the team on the account. We make design for B2B and tech companies alongside video, and we've worked with over 200 companies since 2019.

Yes. Send us your URL and we'll make a free sample based on the messaging on your site, back within 48 hours, and you never pay for it.

You don't need a brief or a call booked first. Most teams use it to judge the standard on their own brand before committing to a month of work.